Series of paintings. 35 x 25cm. 2019
The Botanical Studies series are paintings of medicinal plants used to treat political problems.
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Series of paintings. Various sizes. 2018-2019
In this series I explore alternatives ways of depicting women in the classical styles and themes of art history.
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Series of paintings. 90 x 70 cm. 2019
There are few depictions of pregnant women having fun in the history of art. I wanted to compensate.
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Series of paintings. Various sizes. 2018-2019
Conformism leads to disappointment.
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Series of paintings. 30 x 25 cm. 2018
The three graces are a common theme in the history of art. In this case they are Life, Death and Love.
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Series of paintings. Various sizes. 2017-2018
A mix of animistic ecology with stereotypes around women, such as the femininity of certain colours or concepts, or witchcraft.
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Series of paintings 2016-2017.
Inspired by the artists Hannah Höch and stereotypes about women.
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Showing my work in progress on the 30th of June 2018 in Hammersmith, London.
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Squares roll worse than circles, but they build better walls. Sometimes we need a wall and sometimes a wheel. Both are important.
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We can move mountains when others believe in us. That is why we need to get rid of bad leaders, because just by being there they make us all a bit worse.
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Sometimes I think the fact that we call ourselves Homo sapiens shows how stupid we can be. It is not a description, but could be an inspiration.
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Men are considered more important than women. And many physical, mental and spiritual diseases originate in this dismissal of the feminine.
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The fascination for naked bodies and sexual organs seems normal and healthy to me. It is after all the manifestation of one of our most potent instincts.
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Is the increase in hairless surface inversely proportional to the loss of civil liberties that we have been suffering during the last thirty years?
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Having one’s own criteria, listening to oneself, respecting one’s instincts, and reaching one’s own conclusions is not encouraged.
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After dancing all the pores are open and I can access places vetoed to a tense mind. Creation flows, experimental and playful.
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It is very dangerous not to critizise. Artistic creation is born out of the tension and disagreement between what is and what is thought should be.
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I discarded sublimation as a method of printing on fabric until somebody has picked up all those plastic bags that float on our seas.
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I wonder when I stopped trusting service companies, supermarkets, banks, telephone companies, big corporations, the art market and politicians.
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I am grateful that I am not tied to traditions that I don’t believe in. I am grateful that I can celebrate with the people I love and in whom I do believe.
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